Immersive · Regenerative · Art
The Resonance Tree
Debuted at Burning Man 2026
The Resonance Tree is a large-scale immersive bamboo installation designed by Resonance Studio. Rising approximately 20 feet tall, the Tree invites visitors to enter through woven roots, climb through its trunk, rest in suspended canopy nets, and gather beneath a canopy of shadow and sound.
Built by hand in Bali in collaboration with Bamboo Pure, the Tree celebrates bamboo not simply as a building material, but as part of a living cultural and craft lineage. Multiple bamboo species and weaving traditions are woven into its structure, carrying generations of knowledge into a contemporary participatory artwork.
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Impact
What the work does
Public engagement
Thousands of visitors interact physically with the structure. Architecture becomes participatory rather than observational. Shared ritual experiences foster connection, reflection, and collective presence.
Artist support
Establishes a collaborative platform for artists working at architectural scale. Provides infrastructure for funding, fabrication, and touring large-scale works. Creates pathways for artists to realize public installations.
Regenerative design
Showcases bamboo as a renewable material for large-scale public structures. Expands public awareness of regenerative building practices. Integrates ecological materials, art, and community experience into immersive environments.
Art that moves us and heals the planet
Great art connects us and gives back. Our materials are thoughtfully selected to be renewable, reusable, and regenerative.

Our Story
How the collective formed
Born from a shared immersion in bamboo architecture at Bamboo U, and a vision of the conch shell during a sound healing at Burning Man, the collective reunited to build public art where structure, light, and movement meet.
The spaces we build shape the way we feel, the way we connect, and the way we remember who we are.”

Resonance Studio
Build with us
The engineering, logistics and crew that raised the Tree work as a design-build practice too — for festivals, venues, and other people's art. That work funds the collective's own installations.





